Stanley Prison was used as the filming of "Operation ICAC Prison Express", "Ruthless Behind Bars" and "Fight for Tomorrow", and is one of the high-security prisons in Hong Kong and is managed by the Hong Kong Correctional Services Department. In the 80s and 90s, in Hong Kong's bandit circle, gangsters and gangsters were proud to be imprisoned in such a prison to increase their fame.
In the 90s, when bandits were rampant, Stanley Prison was overcrowded, detaining a large number of provincial and Hong Kong flag soldiers who robbed gold shops and banks, as well as underworld bosses who did all kinds of big things. During that period when the "banditry" was serious, there were four fierce men known as the "Four Evildoers of Stanley Prison": drug lord Liu Guoxiong, century thief Zhang Ziqiang, super provincial Hong Kong flag soldier Ye Jihuan, and "Vietnamese soldier" Huang Guifen. Ye Jihuan and the other two thieves Zhang Ziqiang and Ji Bingxiong are juxtaposed together, becoming three peaks of the thief world that people look up to, and Du Qifeng used these three thieves as the prototype to shoot "The Tree Moves the Wind". Zhang Ziqiang was shot 19 years ago, Ye Jihuan died of illness, and only Ji Bingxiong is still serving his sentence in Stanley Prison.
Next to the prison is the Correctional Services Department Museum, which displays more than 600 artefacts related to Hong Kong's correctional services, including a mock gallows and two mock cells, as well as a mock prison watchtower on the roof, which records the history and evolution of Hong Kong's correctional system, punishments, and correctional officers' uniforms and emblems.
The Stanley Promenade is also a classic shooting spot, and "The Giant Wheel" supervised by Wang Xinwei is a sincere work, and the scene of Qiao Tiansheng, played by Chan Chin-pang, meeting the old boy is on the promenade. The play mainly tells the story of two brothers pursuing their dreams in the context of the 30-year era, and there is a small documentary at the beginning of each episode to record the real history of Hong Kong and Macao, and the plot is also presented around these histories, and the little people in the background of the times have a strong sense of fate.
